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PROGRAM
NOTES:
Spokane Public Radio
2319 N. Monroe St.
Spokane, WA 99205
Phone; (509) 328-5729
e-mail: bluegrass@kpbx.org
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Spokane Public Radio is a member of NPR,
PRI & APM.
Site hosted by
Argia.
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Top Picks of the Decade
1. Original
Soundtrack -
O Brother Where Art Thou? (2000)
2. Nickel Creek
Nickel Creek (2000)
3. Larry Sparks
40 (2005)
4. The Steeldrivers
The Steeldrivers (2007)
5. Jackstraw
Jackstraw (2003)
6. King Wilkie
Low Country Suite (2007)
7. David Peterson & 1946
In the Mountaintops to Roam (2006)
8. Darrell Scott & Tim O'Brien
Real Time (2000)
9. The Seldom Scene
Scene it All (2000)
10. Infamous Stringdusters
Fork in the Road (2007)
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Front Porch
Bluegrass
KPBX 91.1 fm, Sunday, 1pm-2pm
Bluegrass is continuing to evolve and grow. There is a whole new generation
of bands and artists that are building on the traditions of the past and
the skill-levels and creativity of the present to push bluegrass in new
directions. Bands like the Infamous Stringdusters, Crooked Still, King
Wilkie and
Chris Thile & the Punch Brothers are combining bluegrass instrumental
virtuosity with new ideas that aren't afraid to break down genre barriers
to form something new.
I love the classic sounds of the first and second generations of bluegrass.
There is something timeless and deep in the voice of Ralph Stanley or
the mandolin of Bill Monroe or the harmonies of the Country Gentlemen.
I believe it's important to keep these sounds and songs alive and put
them alongside the newer sounds of the 3rd and 4th generations of bluegrass.
Bluegrass has a lot of similarities to jazz, so I try to approach the
show similarly to Brian Flick's Friday afternoon jazz show.
Like jazz, bluegrass is heavily based on the blues, and has a driving
rhythm with a heavy backbeat. The instrumentalists are an important part
of the culture in appreciating bluegrass, and have devoted followings
just like the jazz masters. Many of these players (Bill Monroe, David
Grisman, J.D. Crowe, Doyle Lawson) have bands that have become sort of
like "schools" for younger bluegrass musicians just like the bands of
Miles Davis, Art Blakey, etc.
The top pickers of the newer generation usually got their start in one
of the bands of the previous generation. And finally, their is a huge
cannon of "standards" that offer endless possibilities for re-interpretation.
Bluegrass is a classic American art form and a rich part of our heritage
that has informed numerous styles. Chuck Berry, Elvis Presley, Hank Williams,
Johnny Cash, Jerry Garcia and others grew up revering the Father of Bluegrass,
Bill Monroe, and their styles have been informed by his.
I love this history and all the connections with other artists and styles,
and view this as an important educational component to my show. One hour
is usually too short of a time for me to present everything I want to
do each week, but it's also one of my favorite hours of my week.
About
the Host
Kevin
Brown, a local software engineer and bluegrass enthusiast, was Program
Director at Whitworth College's KWRS in the early ‘80s. He is involved
with the Inland Northwest Bluegrass
Association, having served in the past as one of
their vice presidents. Kevin also plays mandolin and guitar for
Big Red Barn.
E-mail Kevin with questions, comments or banjo jokes at:
bluegrass@kpbx.org
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